This is a print from Vicki Bennett's solo exhibition "Shutter" at Leeds College of Art in 2014.
Shutter aimed to enable us to peer into a parallel cinematic world that exists between the edits, when we are not looking at the screen.
Actors aren’t seen to rest a lot in films, considering people on average sleep 8 hours a day. More often than not, feature films contain a stream of attention-grabbing imagery and noise, and if the mood does slow down there is still dialogue, music and other distractions.
In feature films we don’t see the real-time flow of everyday life, we don’t see the actors queuing, watching TV, reading a book, sleeping. Nor do we witness the mundane – we see the James Bond car chase but no stopping off to eat a panini. Reality can be brought back into film by revealing actors in their normal, uneventful moments. Actors need to sleep as well. Where do they go after a film has ended? What do we miss when we blink while watching a movie? What is it really like on the other side of the screen? This exhibition addresses these subjects and attempts to take us to these places.
Here is a movie from that same exhibition: ubu.com/film/plu_sleep.html
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"Alchemy" 12" square artist print 2015
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1978/2023 Calendar by Vicki Bennett
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People Like Us, Matmos, Wobbly
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People Like Us London, UK
Since 1991, Vicki Bennett has been repurposing pre-existing footage to craft a/v collages, seeing sampling as folk art in the age of mechanical reproduction, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. ... more
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