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We’ve updated our Terms of Use. You can review the changes here.

Recyclopaedia Britannica

by People Like Us

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP  or more

     

  • Full Digital Discography

    Get all 47 People Like Us releases available on Bandcamp and save 85%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Copia, Thermos Explorer (2023 reissue), Sharity! Selected Works of People Like Us, Rhapsody In Glue LP, In Concert : Kings Place London 2008 - Video and Audio Download, 108, In The Waking (2022 extended mix), Free Sunshine (on Heaven's Lathe), and 39 more. , and , .

    Purchasable with gift card

      £34.35 GBP or more (85% OFF)

     

  • Recyclopaedia Britannica
    Cassette + Digital Album

    Limited Edition Cassette

    Includes unlimited streaming of Recyclopaedia Britannica via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Just 1 copy remaining here of this deleted digipak celebrating the first ten years of People Like Us
    Compact Disc (CD) + Digital Album

    very deleted digipak with booklet

    Includes unlimited streaming of Recyclopaedia Britannica via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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OB & Cha Cha 02:22
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Smash & Grab 03:06
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In The Panto 01:05
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Handjob 00:46
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My Son Jim 04:26
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I'm 89 02:08
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Take A Walk 03:40
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about

PRESSING INFORMATION
Release date: 19th October 2018
Pro-duped cassettes
150 copies only, no repress
Originally released in April 2002 on Mess Media (thru Soleilmoon)

First released on Mess Media in 2002 on CD, and then reissued on cassette in 2018 on Sucata Tapes, we've combined the digital files of both to bring this to you all on one place. This was compiled as a Best Of People Like Us from pre-2000. Amazing to think it is almost 20 years later that we write this. This represents an earlier life of PLU, some of which carries through to now, some left long behind...

We've supplied artwork and text (by Drew Daniel, Steve Thrower and Graham Duff) for both versions of the release.

“The work of People Like Us rests gingerly between two dangerous positions: on the one hand, the risk of fashioning merely stylish pastiche out of borrowed finery for the sake of self-conscious kitschiness; on the other hand, the risk of making simplistic, heavy handedly “topical” audio-jokes at the expense of one’s raw material to a smug effect. If the lounge creeps uncritically snack on their sonic ingredients and coast on being “groovy”, the cads of pseudo-critique take cheap shots at straw men and call it subversion. Happily, Vicki Bennett has yet to fall down either precipice, but yodels down contentedly from her own Alpine audio-cottage. There, with loving care, she snips and tucks at the lycra jumpsuit until the fit is snug, places every plastic shrub on the Happy Valley Ranch just so, and throws another dance record on the bonfire. Undercutting her own utopian mirages with formal breakdowns and sneaky semantic pranks, Vicki Bennett is One Funny Lady, with a deadly sense of comic timing that puts her in my personal pantheon of edit intensive music makers: -Steinski and Mass Media, Hank Shocklee, Tod Dockstader, Teo Macero, the Hanatarash, John Oswald, Runzelstirn & Gurgelstock. Serving her birthday cake with a turd, her gags are always lined with a virulent creep factor. You get the feeling that the vacancy and pointlessness of empty speech is being lampooned and mourned in equal measure. In sticking to this balance of celebration and critique, People Like Us genuinely hates and loves People Like You. The least you can do is head up to the Happy Valley Ranch for a spell and have a listen.” – Drew Daniel (Matmos) 2002

credits

released October 19, 2018

Sucata Tapes, Mess Media

license

all rights reserved

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about

People Like Us London, UK

Since 1991, Vicki Bennett has been repurposing pre-existing footage to craft a/v collages, seeing sampling as folk art in the age of mechanical reproduction, with all of the sharing and cross-referencing incumbent to a populist form. Embedded in her work is the premise that all is interconnected and that claiming ownership of an “original” or isolated concept is both preposterous and redundant. ... more

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